Tuesday, 30 December 2008

Overview of all Statements in BOOK-form




Buy this book Mail-Art Statements Collection by Ruud Janssen on Lulu.



Paperback book €19.99 Printed: 280 pages, 20.99 cm x 29.7 cm, perfect binding, white interior paper (55# weight), black and white interior ink, white exterior paper (90# weight), full-colour exterior ink


Description:

B&W Version of Statements Collection on Mail-Art by Ruud Janssen. Reprint of statements written in period 1993-2008 on the subject of mail-art. These statements were first published as pamphlets. Later on the Internet, and now as a collection in one book. Some statements and texts were also published on the Internet first and later as print-out sent into the network. The last part of this book contains visual statements made when the Millennium came about and most recent is an overview of the slides used at a lecture at the Willem de Kooning Academy in Rotterdam explaining the concept of mail-art. In the past 28 years Ruud Janssen has intensively written about how E-mail and Internet would change mail-art, and it has.

A colour-version of the book is also available. See an overview of all publications at:

http://stores.lulu.com/iuoma

Enjoy reading this book!

Sunday, 29 June 2008

Thoughts on Mail-Art

A hard-copy version of the first 10 thoughts I wrote for the Internet. The online version is still available at: http://www.iuoma.org/overview.html and a direct access to all the texts you can find though: http://www.iuoma.org/secret_9.html. All the texts are hyperlinked, so you can jump from one text to another. Realize that the texts are old ones. They are my views from back then.

Saturday, 28 June 2008

Sunday, 22 June 2008

Internet and Mail-Art

Newcomers to Mail-Art discover this artform on the Internet and only then learn about the wonders of Snail-Mail

Sunday, 13 April 2008

Mail-Interviews - PART 4


Yes, a next book with Mail-Interviews got published. This time a combination of complete mail-interviews and a collection of unfinished interviews. 21 mail-artists in total.

Printed: 343 pages, 6" x 9", perfect binding, cream interior paper (60# weight), black and white interior ink, white exterior paper (100# weight), full-colour exterior ink. Print: €16.96
Download: €2.50

Description:
A selection of 21 more Mail-Interviews conducted by Ruud Janssen with International Mail-Artists and Fluxus-Artists in the years 1994 till 2002. This time also unfinished interviews! Includes interviews with H.R. Fricker, Julia Tant, Raphael Nadolny, John Evans, Bern Porter, Birger Jesch, Patricia Collins, Daniel Plunkett, Patricia tavenner, Judith A. Hoffberg, Peter Küstermann, Robert Rocola, Rod Summers, Marie Stillkind, Roy Arenalla, Rudi Rubberoid, Stephen Perkins, Klaus Groh, Ruggero Maggi, Vittore Baroni, Svjetlana Mimica and a reprint of the mail-interview Newsletter that explains the Mail-Interview Project.

Orderdetails: http://www.lulu.com/content/2354626

All books: http://stores.lulu.com/iuoma

Because I know some people don't want to order online I will see how I can help there. When I order the books myself and send them out, postage is paid twice. Cheapest way is to order straight from LuLu. But when I have stock here in Breda I can determine how heavy a package is and what the extra postage is. Next month I will give the details.

Tuesday, 23 October 2007

Center of the Network

Every mail-artist is the center of his/her own network. The people he/she meets and doesn't like, he/she ignores them. Only the persons who play the way he/she likes stay part of the network. That is why eveybody has his/her own personalized network.

Millenium Statements

These statements I made in the form of a banner. booklet is also available in .PDF format on www.iuoma.org/ot_pub.html

Friday, 28 September 2007

Friday, 22 June 2007

31

After writing seven articles and experimenting with E-mail on the INTERNET I still don't know precisely what to do with it. It is fast and has lots of potential, but even with the snail mail I am not able to answer only half the mail I get in. With E-mail the amount of mail you get increases just too much because of the easiness of duplicating the digital information. So for the time being I still focus on all beautiful analog mail........

30

Oops, I made the mistake to number these statements, so now I got mail from someone who is collecting all of them. But I only send out a few at a time. So I advised him to visite all my contacts and to look for all the numbers. This statement is especially for him. I won't send this one to him, I won't tell him to whom I sent it, and so he must become a real TOURISM-addict just in search for this statement.....

(corrected the numbering on this BLOG though)

29

The large ART-institutes are discovering the Mail-Art movement. It starts with the Postal Musea which want to show that mail and 'real' art go together. But they don't follow the unwritten mail-art rules, they select works and look for works in mail-art of people who now are (a bit more) famous. But the most famous mail-artist for me is the one that makes my morning so many times beautiful with his/her wonderful mail- art in my post-box.

28

The new GLOBAL MAIL from Ashley Parker Owens in USA contains approximately 500 entries (addresses, contacts, projects). The impact of the magazine is large. Once you get such a magazine as a newcomer you can go any direction you choose. The network is no longer a closed circuit or an underground art-movement. Global Mail is a correct title, but it is strange too. The intimate contacts I built up in mail-art are very important for me, and this can only be with a small group of people. Now that this GLOBAL MAIL is on Internet too, all kind of networks are mixed together. They will influence eachother and build a new network of networks somewhere in the future. But I've learned that I don't need more and more contacts, I only need a limited amount of good contacts with old or new friends because my time and life are limited.

27

More and more I realize that my private life and my mail-art work are mixed together. My work is my life and my life is filled with things I want to do. I guess I am lucky to be able to communicate with so many friends I would never had met if I hadn't stumbled on the network. The mail I get from all directions inspires me so much to continue with this life and to fill it with creations that come and go.

26

Why do so many people write about mail-art and not practice it that often. There is a lot of exchange of data but I sure sometimes miss the Dada. Lets play with the mail before we get too old to play.

25

Sometimes I wonder if what I read about the mail-art history is all true. The things I read are mostly written by mail-artists themselves who claim to know a lot about mail-art. But since everybody has his own network of friends all those stories are rather subjective (probably my writings too).

24

I still get those letters: "Please add me to your mailing-list". But I don't have a "mailing-list", a limited list with addresses I send certain things too. I am a real random mailer. I just answer the mail I'm able to answer. I just write to someone when I feel like it. I rather enjoy this freedom in writing my mail. The only reason I make address-list is to document all the things I receive and send out. But I must admit I sometimes wonder why I do that at all...

23

Maybe it is stupid to write about the things you have to experience and can't understand by reading about it. But I know I am not the only one who has the problem of trying to explain still what mail-art is all about.

22

For every mail-artist there is the first time to hear about this network of friends. Then the learning-proces starts and you will find out your own definitions of mail-art. Slowly but for sure you will transfer from a learner to a teacher and you will start to tell others about what you think mail-art is all about. And the nice thing about mail-art is that everybody with a view is right. The unwritten rules in mail-art have been written down so often, but always in different words to describe the same crazy network.

21

........mail-art and luxury.......>

You need a lot of time for it.
You need a lot of money for the postage stamps.
You rarely get back the art you send out.
You are never sure that you will get an answer.......
And if you do so, you will like the answer.
It is a luxury when you are able to be involved in mail-art.
It is a luxury to be able to share your views with others
without having the feeling of limitations.